I enjoyed reading through the accounts of the three student works and viewing the images that accompanied them.
Question 1: I appreciated the thoughtful approach of all three photographers, but I found it more difficult to connect with Peter Mansell’s project. I have not been around illness or disability very much, so it is hard for me to get past imagining the situation that prompted the work. I admire Mansell for turning his world into a subject for documentary and artistic exploration. I don’t know how well I would fare under similar circumstances. I was taken with his point about how the project had given him a degree of emotional release—I found it very personal and poignant.
It was easier for me to enter into the worlds of Dewald Botha and Jodie Taylor because I could relate more easily to the issues that prompted them to begin their projects. Both are dealing with the intersections of identity and place, Botha as an outsider in place and Taylor as an insider in place, but from another time. Perhaps their reliance on metaphor and concept are easier for me to navigate and manage than the hard reality of Mansell’s world bound by disability and institutional health care.
Question 2: I don’t think I have any particular difficulty with the loss of authorial control: I accept it. In my academic work years ago I studied the history of interpretation of ancient texts and am accustomed to the idea that different readers bring different lenses to the same works for many different reasons. It is not a new idea to me at all. Much of my work life, too, has consisted of providing advice and being used to the fact that it may or may not be accepted, in part or in whole. I have a degree of control over how I shape and communicate my advice, but I cannot know how it might ultimately be received or used. In some cases—although not always!—this can lead to more interesting and richer discussions as others are able to bring new perspectives that I had not considered.
When it comes to the images I make, I don’t know that I have ever been very precious about how other people viewed them or projected onto them. At the same time, I admit that I have found it more difficult when people have reacted to them but not been able (or willing?) to offer a reason why. I’m happy to discuss and disagree, but I do find it annoying when an exchange is just a dead end.
People will read things as they will. As I come to care more about the images I produce it may be that my loss of control and the ‘misunderstandings’ of others may bother more than it currently does—it is easy to hold lightly those things in which we are not very invested. We’ll see how I do as I continue through the course and the program…
References
Peter Mansell Imagery (s.d.) At: http://paralysed.weebly.com/ (Accessed on 5 September 2019)
Photography and Nostalgia (2013) At: https://www.oca.ac.uk/weareoca/archived/photography-and-nostalgia/ (Accessed on 5 September 2019)
Ring Road (s.d.) At: https://www.dewaldbotha.net/ring-road.html (Accessed on 5 September 2019)